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Pende Inititiation Mask
Initiation Mask, 20th Century
Pende people; Democratic Republic of the Congo
Wood, fiber, pigment and metal; 16 x 10 x 10 1/2 in.
F78.56.2
Gift of Mr. and Mrs. Edwin Gamson This mask with a triangular face, domed forehead, closed eyes, flaring nostrils and half-open mouth revealing sharpened teeth is typical of a Mbuyu initiation mask. The coiffure made of black dyed raffia with four conical horns is also indicative of such a mask. Each Pende mask has its own name, characteristics and social purpose. This one would have been worn by a man while performing at popular dances and during ceremonies that celebrated the initiation of a new generation of boys. In addition to the mask, a costume, music, and choreographed dance with specific gesture and audience interactivity, would be developed by the performer. In fact, the mask was created only after the performer had perfected the music, costume and choreography for the particular occasion. The mask's carved facial features combined with the dancer's gestures would clearly present the attitude and social standing of a known cultural character; this particular mask may represent a character of spiritual or heroic importance. When not in use it would be hidden from sight .
All images and text under copyright. Please contact Collection Department for permission to use. Information subject to change with further research.
Pende people; Democratic Republic of the Congo
Wood, fiber, pigment and metal; 16 x 10 x 10 1/2 in.
F78.56.2
Gift of Mr. and Mrs. Edwin Gamson This mask with a triangular face, domed forehead, closed eyes, flaring nostrils and half-open mouth revealing sharpened teeth is typical of a Mbuyu initiation mask. The coiffure made of black dyed raffia with four conical horns is also indicative of such a mask. Each Pende mask has its own name, characteristics and social purpose. This one would have been worn by a man while performing at popular dances and during ceremonies that celebrated the initiation of a new generation of boys. In addition to the mask, a costume, music, and choreographed dance with specific gesture and audience interactivity, would be developed by the performer. In fact, the mask was created only after the performer had perfected the music, costume and choreography for the particular occasion. The mask's carved facial features combined with the dancer's gestures would clearly present the attitude and social standing of a known cultural character; this particular mask may represent a character of spiritual or heroic importance. When not in use it would be hidden from sight .
All images and text under copyright. Please contact Collection Department for permission to use. Information subject to change with further research.
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